{"id":408,"date":"2024-01-23T10:03:11","date_gmt":"2024-01-23T10:03:11","guid":{"rendered":"https:\/\/clan-des-songes.com\/?page_id=408"},"modified":"2026-05-02T08:32:36","modified_gmt":"2026-05-02T08:32:36","slug":"the-company","status":"publish","type":"page","link":"https:\/\/clan-des-songes.com\/en\/the-company","title":{"rendered":"The company"},"content":{"rendered":"
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Direction artistique : Marina Montefusco et Magali Esteban<\/h1>\n

Since 1990, Marina Montefusco and her company Le Clan des Songes have been developing a theatre of strong, dreamlike images, using puppets and animated forms as their main tools.
\nHis shows have been performed hundreds of times in France and at festivals around the world. They have contributed to the recognition of a theatrical form that is now open to all fields of contemporary creation.
\nThe Clan's expressive universe is aimed primarily at young children, but they are appreciated by audiences of all ages.<\/p>\n

Supported by the Ministry of Culture DRAC Occitanie, the City of Toulouse, the City of S\u00e9rignan and the City of Venerque, and by the City of Toulouse and the Haute Garonne Departmental Council, Clan des Songes is a company for young audiences that is recognised nationally and internationally for the quality of its work. The company is in residence at La Cigali\u00e8re in S\u00e9rignan and the town of Venerque (workshop and storage).<\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Since January 2024, Clan des Songes has been run under the shared artistic direction of Marina Montefusco and Magali Esteban. They each direct a creation based on a personal idea, while working together on research, language and aesthetics. They have been surrounded by a loyal team for many years: -Erwan Costadau: puppeteer \/ stage manager and lighting designer Isabelle Ployet (scriptwriter and puppeteer), Fanny Journaut (visual artist and puppeteer) and Herv\u00e9 Billerit (production and distribution manager).<\/p>\n

20 spectacles cr\u00e9es, des centaines de repr\u00e9sentations en France dans les grands festivals : Avignon, Charleville M\u00e9zi\u00e8res, Momix, Marionnettissimo.. les Sc\u00e8nes Nationales et principaux Th\u00e9\u00e2tres : le Th\u00e9\u00e2tre National de Toulouse, Les Sc\u00e8nes Nationales d\u2019Albi, Tarbes, Bayonne, Odyssud \u00e0 Blagnac, Th\u00e9\u00e2tre 71 de Malakoff, le Moulin du Roc \u00e0 Niort, le Gallia Th\u00e9\u00e2tre \u00e0 Saintes..<\/p>\n

And abroad...touring in Asia (Japan, South Korea, Taipei), Quebec, Brazil, Israel, Singapore, the Assitej World Festival in Montreal, the Bravo Helsinki Festival, Figurteater in Oslo, the Vermont Festival (USA), Th\u00e9atralia in Madrid, Tam Tam in R\u00e9union, the Petits Bonheurs Festival in Quebec, the Neuch\u00e2tel International Festival, the New Victory in New York...<\/p>\n

The company is also involved in training amateur and professional audiences: symposia, courses, meetings and presentations on young audience and puppetry.<\/p>\n

Interventions in schools, raising awareness of the art of puppetry among young audiences.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>

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Marina Montefusco<\/h2>\n

After studying theatre at the Piccolo Teatro di Milano, Marina moved to France, where she founded her company Le Clan Des Songes in 1990. While creating her own shows, she continued her training, notably with Philippe Genty at the Institut Sup\u00e9rieur des Arts de la Marionnette in Charleville M\u00e9zi\u00e8res.<\/p>\n

In 1990, together with Jean Kaplan, she founded MARIONNETTISSIMO, the first International Festival of Animated Forms in the Midi-Pyr\u00e9n\u00e9es region, and was artistic director for its first edition.<\/p>\n

Surrounded by a loyal team, she writes, directs and constructs shows in a sensitive language that reaches the spectator beyond words. Her aesthetic choices are essentially directed towards a theatre of metaphor as part of the revival of puppetry in France. His creations have travelled the world, invited by theatres and international festivals.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t

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Magali Esteban<\/h2>\n

After studying at the Conservatoire National de Toulouse, Magali trained mainly at the \"Le Passage \u00e0 Niveau\" school and took part in various courses: singing, masked acting, clowning and puppet design and manipulation with Footsbarn Travelling Th\u00e9\u00e2tre. A puppeteer and actress for several companies, she has been a loyal collaborator with Le Clan des Songes since 2014, performing in shows such as \"Bella\", \"Bout \u00e0 Bout\", \"Arrivederci\" and \"Conte Chiffonn\u00e9\". She is also responsible for cultural activities. Globule\" in 2022 was her first creation for young audiences with the company.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>

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2025 - Faubourg<\/h2>\n\t\t
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20 spectacles cr\u00e9\u00e9s<\/h2>\n\n\t\t<\/div>\n\t<\/div>\n

2025 - Faubourg<\/span><\/i><\/a><\/h3><\/div>
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Une maquette d\u2019immeubles construit comme un quartier , inspir\u00e9e de l\u2019univers des films d\u2019animation est install\u00e9e sur sc\u00e8ne.\u00a0La d\u00e9coratrice arrive avec une \u00e9chelle, rajoute une chemin\u00e9e, donne un dernier coup de pinceau \u00e0 la maquette, \u2026.. puis quitte les lieux en \u00e9teignant les lumi\u00e8res.Apr\u00e8s son d\u00e9part, les appartements des immeubles s\u2019allument petit \u00e0 petit et la vie s\u2019anime derri\u00e8re les fen\u00eatres de ce quartier. Sous nos yeux, les habitants de ce faubourg entament la routine de la soir\u00e9e, chacun isol\u00e9 dans sa bulle\u2026<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div>

2024 - 3 Plumes<\/span><\/i><\/a><\/h3><\/div>
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Marcello doesn't grow up like other children. In his wacky, incomprehensible world, he spends his time marvelling at the flight of bird feathers and collecting piles of stones that he stacks in defiance of the laws of balance.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div>

2022 - Globule<\/span><\/i><\/a><\/h3><\/div>
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Behind a pair of thick, round glasses hides Globule, a discreet little boy who is often \"in the moon\" and lives alone with his father.
\nWhen Globule takes them off, the world becomes a blur. He can then have fun transforming it by inventing absurd, funny, touching and sometimes frightening stories, and he loves it!
\nBut his father doesn't give him the time. Waking up, going to school, going home, running, galloping, hurrying... that's how it is with Dad, you don't dawdle.
\nSo to stay in the blurred world in which he feels comfortable, Globule has fun taking off his glasses in his daily timetable, at the risk of disconnecting himself from reality.
\nMagali Esteban's first production is a sensitive, offbeat show of shadows and projected images for children and adults aged 3 and over.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div>

2021 - Chiffonn\u00e9 Tale<\/span><\/i><\/a><\/h3><\/div>
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Conte Chiffonn\u00e9 is a show made entirely of fabrics, rags and lace, inspired by the fairy tale of Cinderella.
\nGuided by a puppeteer, the audience walks with her through a dreamlike world of castles, fairies and princes in fragile, unreal lace.
\nThen, like the heroine, he is surprised by an enormous pile of rags that has fallen from the sky, covering her completely and plunging her into a dark present, a time of heartbreak and conflict. From this heap, characters from the fairytale appear and disappear as if by magic: the horrible stepmother, the ugly sisters, the mistreated young girl... And finally, in an interplay of transparencies, the rags become airy and colourful, bringing the fairy to life and transforming our damsel into a princess...
\nThe timeless music of Laurent Rochelle is the backdrop for a game of transforming and animating matter.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div>

2019 - Arrivederci<\/span><\/i><\/a><\/h3><\/div>
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Arrivederci is a visual and poetic show for all ages from 5 upwards.
\nThroughout her childhood in Italy, Marina watched washing being dried in the sun, and has always remembered her fascination with clothes playing and shifting in the wind, their shadows projected onto facades, fantastical and fantastic images.
\nThey seemed alive when, puffed up by the breeze, they tried at all costs to detach themselves from the thread that held them in place.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div>

2017 - Proteus<\/span><\/i><\/a><\/h3><\/div>
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Proteus<\/strong> is a giant puppet made of a single string!
\nIt is manipulated using halyards and pulleys by ten stage actors who, like Lilliputians, breathe life into it and transform it constantly. It can be sometimes inanimate, sometimes an octopus or a dancer, or it can rise twelve metres into the air and disappear into the hangers... It gives the impression of being heavy, hard and strong. Yet it is ethereal, celestial and marine, sinuous and slippery....<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div>

2016 - Bout \u00e0 Bout<\/span><\/i><\/a><\/h3><\/div>
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A small piece emerges from a pile of ropes, leaves the tangled heap, begins to come to life and sets off to meet other pieces.<\/p>\n

Their games and arguments conjure up images of everyday life, holidays and dreams, and together they conjure up characters who take on a fleeting life before morphing again in the blink of an eye.<\/p>\n

With tenderness and humour, family life and human relationships are explored in simple tableaux of lines drawn by the ropes. A story full of light and poetry, for young and old alike.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div>

2014 - Bella<\/span><\/i><\/a><\/h3><\/div>
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BELLA grows up carefree and lonely, her head in the clouds and intrigued by her body, which transforms into a wiry, unfamiliar shape.
\nWith delicacy and humour, this show evokes the transition from childhood to adolescence and tells us about the troubling desire for lightness that can cause us to lose our footing...<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div>

2012 - City<\/span><\/i><\/a><\/h3><\/div>
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CITY<\/strong>is a fantasy on the theme of the city, evoking the wanderings of a character in the urban world. The city is suggested here by a non-realistic setting, inspired by the world of painting by Evsa Model, a contemporary New York painter whose works are large flat tints of bright colours and geometric shapes.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div>

2010 - Fragile<\/span><\/i><\/a><\/h3><\/div>
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\u00c9trange voyage que celui de ce petit homme fragile et solitaire avec,<\/p>\n

comme unique compagnon de route un sac enfermant tout un monde magique.<\/p>\n

Son chemin ? Juste une ligne capricieuse tant\u00f4t droite parfois interrompue<\/p>\n

se dressant telle une montagne infranchissable ou plongeant dans l\u2019ab\u00eeme,<\/p>\n

toujours changeante.<\/p>\n

Et, qui sont-ils ces types cartoonnesques aux allures press\u00e9es, assur\u00e9s ou \u00e9gar\u00e9s, qui croisent sa route ?<\/p>\n

\u00ab Fragile \u00bb est un spectacle po\u00e9tique entre d\u00e9s\u00e9quilibre et instabilit\u00e9.<\/p>\n

Un univers sans dessus dessous qui parle du bonheur gagn\u00e9 \u00e0 franchir ses propres limites.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div>

2006 - La nuit s'en va le jour<\/span><\/i><\/a><\/h3><\/div>
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This show takes place inside a Jules Verne-style dome that the audience enters. It tackles the theme of fear of the dark, the anxiety that begins in childhood and haunts human nights from time immemorial...<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div>

2004 - Cargo<\/span><\/i><\/a><\/h3><\/div>
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A Franco-Quebec creation, the show is composed like a fragmented poem, a poetic collage of childhood memories of Italy and Quebec ....<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div>

2004 - Who killed Mr Lenoir<\/span><\/i><\/a><\/h3><\/div>
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Le Clan des Songes is exploring a new form of performance: a journey through the world of music.
\nA captivating whodunit set against the natural backdrop of a city.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div>

2001 - When chickens have teeth<\/span><\/i><\/a><\/h3><\/div>
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Two neighbours with completely different temperaments and physics, one day realise that a gap is opening up between their two domains, a mysterious hole that they will have to explain and then explore ...<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div>

1999 - The endless tree<\/span><\/i><\/a><\/h3><\/div>
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Theatrical adaptation of Claude Ponti's wonderful album. Here again, the visual theatre is the medium for a powerful theme: death, the disappearance of a loved one.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div>

1997 - Souvenir d'un pantin<\/span><\/i><\/a><\/h3><\/div>
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In this free and very personal interpretation of Corlo Collodi's \"Le Awenture di Pinocchio\", Marina Montefusco touches on the delicate issue of adolescence with poetry and humour.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div>

1995 - Round she-wolf<\/span><\/i><\/a><\/h3><\/div>
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Jealousy in siblings through the adventures of a young cub, in a visual and poetic way.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div>

1994 - False start<\/span><\/i><\/a><\/h3><\/div>
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A tender story built around an old lady completely overwhelmed by events. A dream in pictures, a love story perhaps...<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div>

1992 - Polar rage<\/span><\/i><\/a><\/h3><\/div>
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A young penguin leaves the family group after a big tantrum I A blow to the head, the feeling of omnipotence and here is our hero lost on the immense ice floe ...<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div>

1990 - Underground tale<\/span><\/i><\/a><\/h3><\/div>
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A young penguin leaves the family group after a big tantrum I A blow to the head, the feeling of omnipotence and here is our hero lost on the immense ice floe ...<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>

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